{"created":"2023-06-19T08:29:31.123842+00:00","id":225,"links":{},"metadata":{"_buckets":{"deposit":"ed7efcc2-e9e8-482b-835e-985e89ee7462"},"_deposit":{"created_by":13,"id":"225","owners":[13],"pid":{"revision_id":0,"type":"depid","value":"225"},"status":"published"},"_oai":{"id":"oai:kyukan.repo.nii.ac.jp:00000225","sets":[]},"author_link":["665","666"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1999-03","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"1","bibliographicPageEnd":"312","bibliographicPageStart":"297","bibliographicVolumeNumber":"1","bibliographic_titles":[{"bibliographic_title":"九州看護福祉大学紀要"},{"bibliographic_title":"The Journal of Kyushu University of Nursing and Social Welfare","bibliographic_titleLang":"en"}]}]},"item_10002_description_12":{"attribute_name":"論文ID（NAID）","attribute_value_mlt":[{"subitem_description":"110000082234","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"This paper challenges the commonplace view of improvisation and composition as disparate music making procedures, whereby improvisation, unlike composition, is a free, less-rational, and creative music making procedure; here, such is contended to be the consequence of explanatory failure. This is done by examining developments in jazz in the first half of the twentieth century, suggesting that creative changes ensued from internal consistencies and inconsistencies in the rational logic of both music theory and particular jazz practices, specifically from jazz musicians' attempts to resolve such problems to expand available musical resources, thereby expressive capacities.","subitem_description_type":"Abstract"},{"subitem_description":"　当論文では「作曲」と「即興演奏」が相対する音楽創作手順だとする既成概念、つまり即興演奏はフリーで合理性が薄く、創造性に富んでおり、作曲はその逆であるとする見解に異議を唱え、このような誤認は解釈の間違いに所以するということを示す。具体的には20世紀前半のジャズの発展を考察し、独創性豊かな変化をもたらしたのは音楽理論およびジャズのスタイルにおける内在論理や合理的論理による整合性・不整合性であり、またミュージシャンが音楽における手法の幅を広げる上でそのような問題にどう挑戦したかである、と主張する。","subitem_description_type":"Abstract"}]},"item_10002_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"666","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Sutherland, Allan J."}]}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"九州看護福祉大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13447505","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Stherland, Allan J."}],"nameIdentifiers":[{"nameIdentifier":"665","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-10-04"}],"displaytype":"detail","filename":"The_Journal_of_KNS-V01_N01_1999-297-312.pdf","filesize":[{"value":"988.9 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"The_Journal_of_KNS-V01_N01_1999-297-312","url":"https://kyukan.repo.nii.ac.jp/record/225/files/The_Journal_of_KNS-V01_N01_1999-297-312.pdf"},"version_id":"55abf123-41a0-43f1-a45b-091f7a41d1f4"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"作曲","subitem_subject_scheme":"Other"},{"subitem_subject":"即興演奏","subitem_subject_scheme":"Other"},{"subitem_subject":"構造","subitem_subject_scheme":"Other"},{"subitem_subject":"活動","subitem_subject_scheme":"Other"},{"subitem_subject":"独創性","subitem_subject_scheme":"Other"},{"subitem_subject":"ジャズ","subitem_subject_scheme":"Other"},{"subitem_subject":"音楽理論","subitem_subject_scheme":"Other"},{"subitem_subject":"全音階主義","subitem_subject_scheme":"Other"},{"subitem_subject":"半音階主義","subitem_subject_scheme":"Other"},{"subitem_subject":"composition","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"improvisation","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"structure","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"action_creativity","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"jazz","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"diatonicism","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"chromaticism","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"Improvisation and Creativity in Jazz Before the1950s","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"Improvisation and Creativity in Jazz Before the1950s"},{"subitem_title":"Improvisation and Creativity in Jazz Before the1950s","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"13","path":["28"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-08-20"},"publish_date":"2013-08-20","publish_status":"0","recid":"225","relation_version_is_last":true,"title":["Improvisation and Creativity in Jazz Before the1950s"],"weko_creator_id":"13","weko_shared_id":-1},"updated":"2024-03-27T09:06:17.677714+00:00"}